No Problems

Mercy Steele remembers her close-to idyllic childhood in rural Queensland in the twenties. Images of the landscape, abundant foods and fruits interspersed with reconstructed snatches of the way things were, show a simple life that belies the tragedy which her family later suffered. Constructed images of a lush and beautiful place suggest an uncomplicated life of harmony and abundance reminiscent of a late 19th century European way of seen Antipodean landscapes.

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